The Lords Commissioner of the Treasury, who acted much as do the officials of the Treasury today, administered the monies used to assist the funding of Commissioners’ churches. The churches built using their funds had it represent good value for money. They were to be built "with a view to accommodating the greatest number of persons at the smallest expense within the compass of an ordinary voice, one half of the number to be free seats for the poor". The Commissioners’ laid down specific stipulations as to design and personally approved the pans of all churches funded by them. Examples of requirements are "the windows ought not to resemble modern sashes; but whether Grecian or Gothic, should be in small panes and not costly" and "The pulpit should not intercept a view of the altar, but all seats should be placed so as to face the preacher". As you view Christ Church, Hilderstone you can see the application of these requirements. Staffordshire was much affected by the social changes the root of the new legislation with the development of the pottery and textile industries in the middle and north of the county and the engineering industries in the Black Country in the south. It was in areas such as this that Commissioners’ Churches were built. Surprisingly only one church was built in Staffordshire funded from the first tranche of monies provided by Parliament. This was Christ Church, West Bromwich. Sadly that Christ Church, which was opposite the school attended by the author of this note and is well remembered by him, has been demolished in the second half of the twentieth century. Francis Goodwin designed the church, which cost £17,431. It was built in the Perpendicular style with windows in three light tracery of cast iron. Practically the Commissioners' paid for the whole of the cost. A second allocation of money was made in 1825 (£500,000). Grants were made from this fund for between 10% and 80% of the cost of the church usually between 10% and 20%. It is from this fund that assistance came to build this church. Thirty-eight churches were built in Staffordshire with funding from the Commissioners’. Of these 36 are built in the Gothic style; one is Norman (Holy Trinity, Lower Meyer Street, Hanley, by James Trubshaw the father of Thomas Trubshaw) and the remaining Commissioners’ church is classical in style (St. George’s, Wolverhampton, by James Morgan). Commissioner’s churches (and others built at the same time) have characteristic features. They have lean proportions. A large rectangle with the altar at the end set in a short chancel. There is often a pulpit on one side of the chancel with a reading desk at a lower level on the other. The organ is in a West gallery. Beneath the West gallery is the font. Windows were long and pointed. Often they have lancets or pairs of lancets or windows in late Geometrical, Decorated or Perpendicular form with shallow buttresses between. Many of these features may been seen here at Christ Church. The Victorians did not favour Commissioners’ churches. They regarded them as cheap and unworthy. The design and structure of Commissioners’ churches did not lie easily with developments in the Anglican liturgy and theology in Victorian England. Victorian architects despoiled the vast majority. Betjeman says (in the Collins Guide to Parish Churches of England and Wales, London 1980, p 61) that he is aware of only one Commissioners’ church which has survived exactly as its architect designed it. He refers to Christ Church, Acton Square, Salford. There is at least one other. You, dear reader, are standing in it at this moment. Good fortune and a lack of funds have meant that Christ Church Hilderstone is very much as Thomas Trubshaw designed it: a splendid example of a Commissioners’ church. Christ Church, Hilderstone, is the work of a local architect and builder taking the opportunity to erect a tranquil house of God. |